算命天童什麼意思

鄭景元（曾用名鄭俊華），1965年生，陜西漢中市人。 陜西省周易研究會副秘書長、中國國際周易聯合會陜西分會副會長、中國《鄭氏福堂》第九代堂主、民間玄學資深隱士。

從小受家庭的熏陶，十三歲起承家訓，背讀有關《周易》命理知識。大學畢業后，全身心投入《周易》文化傳承與運用中，研習《周易》四十多年，走遍了大江南北，一直傳承家訓，發揚中國《鄭氏福堂》周易預測家族行業，得到眾多專家的高度認可。

鄭景元現為中國《鄭氏福堂》第九代堂主、華夏風水文化研究中心資深預測師。“2011年西安首屆周易文化價值暨建筑人文環境學術論壇”被授予：《中國十大風水預測專家》、《中國十大命名專家》、《中國杰出命理師》，同時中國《鄭氏福堂》被授予為：《中國十大風水策劃機構》。

鄭景元書法：<鴻福天賜>

這是一幅鄭景元老師的經典書法；鴻福天賜，俗話說氣關筆力，墨關韻彩，此書法力透紙背，一氣呵成，意存筆先，達到了極高的書法境界。

此為鄭氏福堂印章，印章可見深淺不一的印制痕跡，其顏色朱紅，使用的是礦物朱砂料，一般也只有大師級藝術家，才舍得使用此昂貴的朱砂印章料，礦物朱砂料可保千百年不褪色，即使是被雨水淋濕，干后依舊鮮艷。

鄭景元 從十三歲開始承傳家訓，背讀有關《周易》命理入門知識。父輩們言傳身教各種方術、易理，包括建筑、墳墓、風水、山相等。因為年紀小，故難辯其理。偶爾也同父輩一起去給旁人看墓地等，但始終如讀天書一般。直到大學期間，和同學閑聊，幫他們算命，還確有精準之處。但這都未曾引起鄭景元的興趣。畢業后參加工作，因家境并不富有，低微工資難以改變家庭，便放棄工作，自謀發展。90年來到上海，茫茫人海，個個陌生，幾經周折，隨便找了份不理想的工作，因為心中不滿，一年后辭職，便游訪名山、名寺，以期找到高人為自己指點迷津。

鄭景元書法：<室雅人和>

這是一副雅詞：室雅人和，也反映出人以和為貴，家和萬事圓，做人處事以人和為主，其它只要具備天時利地，必將有所作為。

92年在上海小有成就。同年3月受上海一老板邀請，陪他去浙江普陀山敬香游玩，在那里又得到了名師指點，小住多日，便跟隨大師去了天童山、雁蕩山、國清寺、保國寺、阿育王寺、七塔寺，包括安徽九華山、廣東觀音山、羅浮山等。在游訪這些名山一名寺的同時，有緣結識了很多民間隱士、居士、主持、命學家，和他們一起探討《周易》數術，包括中國道教、 佛教及各種方術之類。在此得到了最大受益，并也和這些前輩們結下了很深的友誼。由于鄭景元懂得做人之理，更能領悟以德服入，厚德載物，所以謙虛、好學，不張揚，這成了鄭景元的品德，所以93年開始，鄭景元走遍了浙江各個城市，包括農村，尤其在寧波創下了最高的知名度和社會認可度。為傳承中華傳統文化做出了巨大貢獻，這兩幅作品為其巔峰之作，具有極高的收藏價值。

英文翻譯：Zheng Jingyuan (formerly known as Zheng Junhua) was born in 1965 in Hanzhong City, Shaanxi Province. Vice Secretary General of Shaanxi Zhouyi Research Association, Vice President of Shaanxi Branch of China International Zhouyi Federation, the ninth generation of Chinese "Fu Tang" hall, senior folk metaphysics hermit.

He was influenced by his family when he was a child. At the age of 13, he began to learn the numerology of the Book of Changes by heart. After graduation from university, he has devoted himself to the inheritance and application of Zhouyi culture. He has studied Zhouyi for more than 40 years and traveled all over China. He has been inheriting the family motto and carrying forward the Chinese "Zheng's Fu Tang" Zhouyi forecasting family industry, which has been highly recognized by many experts.

Zheng Jingyuan is now the ninth generation of master of Zheng's Fu Tang in China and a senior forecaster at Huaxia Feng Shui Cultural Research Center. "2011 Xi 'an First Zhouyi Cultural Value and Architectural Humanistic Environment Academic Forum" was awarded: "China's Top Ten Feng Shui Forecast Experts", "China's Top Ten Naming Experts", "China's Outstanding Numerology Professionals", and China's "Zheng Fu Tang" was awarded: "China's Top Ten Feng Shui Planning Organizations".

Zheng Jingyuan calligraphy: < Hongfu Heaven-sent >

This is a classic calligraphy of teacher Zheng Jingyuan. Hongfu heaven, as the saying goes, gas off the pen, ink off the Yun color, this calligraphy force through the back of the paper, at one go, meaning to save the pen first, to achieve a high level of calligraphy.

This is Zheng Fu Tang seal, the seal can be seen in different shades of printing traces, its color is vermilion, the use of mineral cinnabar material, generally only master artists are willing to use this expensive cinnabar seal material, mineral cinnabar material can be kept for thousands of years, even if wet by rain, still bright after dry.

At the age of 13, Zheng Jingyuan began to carry on his family's instruction and recite the numerology of Zhouyi. Our fathers taught by example and words all kinds of techniques, including architecture, tombs, feng shui, mountains and so on. Being young, it is difficult to explain. Occasionally, I went with my father to show the graveyard to others, but I always read books from heaven. Until college, chatting with classmates and telling their fortunes was accurate. But none of this appealed to Zheng. After graduation, he started to work. Because his family was not rich and the low salary was difficult to change his family, he gave up his job and sought his own development. Arrived in Shanghai 90 years, boundless sea of people, each is strange, after many twists and turns, looked for a job that is not ideal casually, because in the heart is discontented, resign after a year, swim visit famous mountain, famous temple, with a view to finding tall person gives directions to oneself maze.

Zheng Jingyuan calligraphy: < room elegant people and >

This is a pair of elegant words: elegant family and people and harmony, also reflects that people value harmony as the most valuable, family and everything is smooth, people and other things, as long as we have the nature, time and land, will make a difference.

He made some achievements in Shanghai in 1992. In March of the same year, I was invited by a boss in Shanghai to accompany him to visit Putuo Mountain in Zhejiang Province, where I got guidance from a famous teacher. After staying for several days, I followed the master to Tiantong Mountain, Yandang Mountain, Guoqing Temple, Baoguo Temple, Ashoka Temple and Seven Pagoda Temple, including Jiuhua Mountain in Anhui Province, Guanyin Mountain in Guangdong Province and Luofu Mountain. While visiting these famous mountains and temples, I got to know a lot of folk hermits, laymen, masters and fortunetrists, and discussed with them the numbers-techniques of Zhouyi, including Chinese Taoism, Buddhism and various prescriptions. In this got the biggest benefit, and also with these predecessors forged a very deep friendship. Since Zheng Jingyuan understood the principle of being a man, he was able to understand how to serve with virtue and how to hold things with virtue. Therefore, he was modest, studious and quiet, which became Zheng Jingyuan's moral character. Since 1993, Zheng Jingyuan has traveled all the cities in Zhejiang Province, including the rural areas, and achieved the highest popularity and social recognition in Ningbo. He has made great contributions to the inheritance of Chinese traditional culture, and these two works are his pinnacle works, with extremely high collection value.